Marty’s Review of the Vandersteen 2Ce Signature IIs with 2Wq Sub

This winter, I started the process of buying new speakers. Step one in that process was putting my former speakers up for sale. They sold right away, faster than expected, so things were looking good. Unfortunately my bank account wasn’t full enough to afford the Vandersteen Treos that I desired, but Jon advised me not to overlook the 2Ce Signature IIs, especially when paired with the 2Wq subwoofer. This fit my financial situation better, so he and Bob set up that combination for me in the store and I came down on a Saturday morning for an extended audition. I was more than impressed listening to them and a pair was ordered for me. My new cherry wood Sig IIs and matching 2Wq were soon in my living room.

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I attached the bases that allow the correct angle to be set and then spent some time with a tape measure and the owner’s manual to get the set-up right. Although the set-up is more involved than with most other speakers, the measurement guidelines are straightforward. The angle must be set relative to your seated ear height and the relationships between the distances to back wall and side walls are critical. All this is fully spelled out in the owner’s manual and just takes a little time, but this time spent on getting it right is well worth it. The result is “the Vandersteen sound” and it is immediately apparent. Because of the phase and time alignment that are part of all Vandersteen speaker designs, music sounds more natural and real. All of the music reaches your ears with the timing created by the musicians and instruments intact. The imaging and depth of soundstage is truly something special. If I had to sum up Vandersteen sound in one word, it would be “dimensionality.” I have heard the Treos and Quattros, the 5A carbons and the Sevens. They all do it. Naturally the higher up the line you go, the better they are, but at this price range the sound is remarkable. All of the audiophile buzzwords are there. Air, depth, imaging/dimensionality, and with the 2Wq sub perfectly integrated bass and slam.

Speaking of the 2Wq subwoofer, Vandersteen does subs differently from other manufacturers. When you introduce a 2Wq (or two) into the system, the main speakers are rolled off in the low bass and the sub fills in these lowest octaves for a full range frequency response. I am sure Jon and Bob can explain this better than I can, but just know that it works! You won’t get that one note bass boom like a home theater sub, but real dynamics and tonality. Listening to an upright bass on a good jazz recording you realize that there are actual notes being played. Plus, with adjustable “Q” on the sub’s control panel, you can really fine tune how tight or loose you want the bass. If you like that big boomy sound or maybe are using it with a home theater set-up you can have it that way, but you can also set it for a more musically accurate experience. Another benefit of the 2WQ is that when I can trade up to Treos, I can use the same subwoofer.

Ok, so how does it sound? I would say that the soundstage is about depth. Janis Joplin on “Try” is 4 or 5 feet behind the speakers. Shelby Lynne on “Just a Little Lovin'” is not as far back. The thing is, you can easily tell the difference. On the great SACD “Jazz in the Key of Blue”, Roy Hargrove moves around as he is playing. It’s easy to tell when he backs up and moves forward. He also moves side to side at different times. It’s like he is on the stage and you can tell right where he is. Not just left or right, but how much left or right.

Of course, all of the dimensionality in the world doesn’t matter if the tonality isn’t right, but the difference between a baritone sax and tenor is apparent as is soprano sax and clarinet. Back-up singers and individual instruments are easily defined. When Satchmo’s voice comes in on “St James Infirmary” I always get goosebumps.

So this must be the greatest speaker ever right? Well the Treos and other Vandersteens on up do all these things better and cost more for a reason. But at this price level, the combo of 2CE Signature IIs and 2Wq subwoofer is phenomenal. Vandersteen has sold over 100,000 Model 2s for a reason. I think one reason the price is so reasonable is because they have been in production for so long, but they have been continuously upgraded over the years. And they are made in the USA.

At the beginning of this review I said that I hoping for a pair of Treos. Well I am very happy with my 2s. At some point I will move up the Vandersteen line, but until then I still get to listen to the Vandersteen sound. Once you hear it, you can’t unhear it. And you can always tell when a speaker doesn’t have it.

Happy listening,


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